Sáandlaanaay | Curriculum Vitae
Kimberly Fulton Orozco
CV | Selected Works
Exhibitor
2025 One Grand Gallery, Portland, Oregon | Solo Exhibition, Generative Love
2025 Burnaby Art Gallery, Burnaby BC | Group Exhibition, New Acquisitions
2025 Fazakas Gallery, Vancouver, BC | Group Exhibition, Northwest Coast
2025 Institute of Contemporary Art Santa Fe, New Mexico | MFA Thesis Exhibition, Not Here But There curated by Isabella Robbins and Alex Hawley
2025 Anchorage Museum & Alaska Native Heritage Center | Curate the North | Gathering & pop-up exhibition with Jenny Irene, Joel Isaak, Emily Johnson, Tanya Lukin Linklater, Melissa Shaginoff, & Amber Webb curated by Nadia Jackinsky, Erin Gingrich, and Angie Demma
2024 Venice Biennale U.S. Pavilion | The Space We Story | anti-performative public gathering with Avis Charly, Cole Taylor, Kathleen Wall, Shannon Christy Hooper, and Ursala Hudson hosted by Jeffrey Gibson
2024 Site Santa Fe | Dispatch | Group performance with Raven Chacón, Candice Hopkins, Mekkoh Harjo, Ursala Hudson
2023 Fazakas Gallery | Everything the Raven Says, She Understands (Intergenerational Chatter) | Solo Exhibition
2023 Anchorage Museum | Salmon Culture curated by Anna Hoover, Erin Gingrich, Rochelle Adams, Drew Michael, Nadia Jackinsky Sethi, and Ilgavak Peter Williams | Turbulence, Tides & the Moon
2023 Swan Coach House Gallery, Atlanta, GA | Summer Invitational | Insecure Mixtapes
2023 Sealaska Heritage Institute, Juneau, AK | Native Women’s Art: Drawn from the Spirits of Ancestors Within | Mother Carrying Child (Stop Looking at My Titties)
2023 Sainsbury Centre for Visual Arts, Norwich, England | Empowering Art: Indigenous Creativity and Activism From America’s Northwest Coast | Kugaan Jaad Emerges | Skulka’s Silhouette | Bound & Beholden
2023 Artfields, Lake City, South Carolina | Our Lady Raven of the Kelp & Salmon
2022 Pratt Museum, Homer, AK | Salmon Culture curated by Anna Hoover, Erin Gingrich, Rochelle Adams, Drew Michael, Nadia Jackinsky Sethi, and Ilgavak Peter Williams | Turbulence, Tides & the Moon
2022 Woman Made Gallery, Chicago, IL | The Deeply Rooted curated by Sundas Abduli Hadi | Chicago, Illinois | Split U | Children of the Rising Sun
2021 Georgia State University | Crash Juried Exhibit | Jurors Dr. Cynthia Hawkins, Jamaal Barber Split U | Push, Pull
2021 Georgia State University | Annual Juried Student Exhibition | Juror Theo Tyson | Wounded Daughter of Foam Woman
Collections
Disjointed Raven 2023. Burnaby Art Gallery
Insecure Mix. Love Story. 2023. Gochman Family Collection
Skulka’s Silhouette, 2020 & Bound and Beholden, 2021. Sainsbury Center for Visual Arts, University of East Anglia, Permanent Collection
Speaking Engagements, Residencies & Awards
2025 Center for Native Arts & Culture, Portland, Oregon | LIFT & Generative Love
2025 Early Career Artist Residency in Visual Arts at Banff Centre | Banff, Alberta, Canada
2024 Nudlaghi Leadership Institute | Artist Workshop with Nicholas Galanin
2024 IAIA Journey Home Apprenticeship with Haida carver Reg Davidson
2023 United States Mint | Artistic Infusion Program
2023 White Columns Artist Registry
2022 Anchorage Museum | Virtual Artist Residency with Art Bridges Foundation
2022 Welch Undergraduate Award | Ernest G. Welch School of Art & Design
2021 Sealaska Heritage Institute | Celebration 2022 Design Contest Winner | The Energy that Moves Us
2021 Communication Arts | Award of Excellence | “Inspiring Awe In Alaska” published by Smithsonian Magazine
Education
2025 MFA in Studio Arts, Institute of American Indian Arts, Santa Fe, NM
2022 Atlanta Printmaker’s Studio, Relief Printing with Jamaal Barber
2022 BFA in Drawing, Painting & Printmaking, Georgia State University
2022 Chilkat Design. Steve Brown, Sealaska Heritage Institute
2022 Intermediate Formline Design. Robert Mills (Tlingit), Sealaska Heritage Institute
2022 Intermediate Formline Design. David Robert Boxley (Tsimshian), Sealaska Heritage Institute
2021 Northwest Coast Art Theory. Jackson Polys (Tlingit), Sealaska Heritage Institute
2021 Intermediate Formline Design. Robert Mills (Tlingit), Sealaska Heritage Institute
2020 Beginning Formline Design, Robert Mills (Tlingit), Sealaska Heritage Institute